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Ciutadella
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Ciutadella was originally commissioned by Mario Eskenazi’s studio. It is a versatile geometric sans serif, a simple, clean and direct family. Its power resides in an overhaul simplicity that reflects an “open” personality, easily suitable to be used across a wide range of applications, from identity systems to publications. Although it has been conceived to be used as a display typeface, it performs well in intermediate length texts mostly because of some specific characteristics such as the alternate two-story ‘a’.  Read more about Version 3 on the blog.

 

Ciutadella Roman Pack
8 Fonts
ExtraLight Light Regular Medium SemiBold Bold ExtraBold Variable Roman
Ciutadella Italic Pack
8 Fonts
ExtraLight Italic Light Italic Regular Italic Medium Italic SemiBold Italic Bold Italic ExtraBold Italic Variable Italic
Ciutadella ExtraLight
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
MoholyNagy
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella ExtraLight Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Walter Gropius
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Light
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Corbusier
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Light Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Mies van der Rohe
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Regular
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Tessenow
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Regular Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Richard Neutra
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Medium
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
El Lissitzky
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Medium Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Theo van Doesburg
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella SemiBold
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Chernikhov
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella SemiBold Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Sigfried Giedion
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Bold
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Schindler
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Bold Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Herbert Bayer
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella ExtraBold
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Salvisberg
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella ExtraBold Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Peter Behrens
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Variable Roman
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Variable Roman
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Ciutadella Variable Italic
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
Variable Italic
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Glyphs
Glyphs
Ciutadella Regular
  • Ciutadella ExtraLight
  • Ciutadella ExtraLight Italic
  • Ciutadella Light
  • Ciutadella Light Italic
  • Ciutadella Regular
  • Ciutadella Regular Italic
  • Ciutadella Medium
  • Ciutadella Medium Italic
  • Ciutadella SemiBold
  • Ciutadella SemiBold Italic
  • Ciutadella Bold
  • Ciutadella Bold Italic
  • Ciutadella ExtraBold
  • Ciutadella ExtraBold Italic
  • Ciutadella Variable Roman
  • Ciutadella Variable Italic
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*See the PDF for more details.
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